Melodie Gosselin February 22, 2021 Home Ideas
Inside, this wintery villa has two levels. While the ground floor features lovely guest bedrooms that are spaced to allow visitors free movement about the house, the master bedroom resides in a spacious upper loft. High ceilings there make the room feel opened almost right into the mountain range itself, particularly in combination with large, bright windows that continue all the way up to meet the ceiling.
In conceptualizing the extension, designers aimed to bring sharp contrast to the old building. The brick house, which hearkens back to older elements of Art Nouveau styles and the Amsterdam School, stands out masterfully agains the black and glass of the new section, outlining its stunning minimalism. The new structure is built from seamless glass with subtle framing, meaning that there are virtually no visible barriers between the house’s warmth and comfort and the natural space around the fig tree if one looks out from inside the house. This means that daylight is given free reign throughout the bottom floor, keeping spaces bright and cheerful.
Part of creating this new atmosphere involved a simple black scheme for the exterior facade, which was created using stained black logs, black steel in the detailing, and black painted wood in furnishings. In great contrast, the interior decor scheme features a predominantly white colour scheme. This includes several elements that directly balance out what’s seen on the outside of the house, such as the whitewashed logs bolstering the ceiling. At the same time, a few exterior details are brought inside so that the two communicate.
Fig Tree House is a stunning example of how longstanding city buildings can be updated and modernized without losing their old fashioned, more traditional appeal. Located in La Haya, The Netherlands, this tall home recently underwent a small transformation in the back in the form of a beautiful open concept extension designed and created by by Bloot Architecture. Because the house is located in an historic area, namely The Hague’s Vogelwijk district, the style of the house extension was kept a minimalist, making it contrast sharply but beautifully with the slightly more rustic red brick of the 1927 house.
Because Indigo homes adopt an open concept layout on the inside, having no additional walls to the four on the outside, dwellers are afforded complete freedom of interior layout. This makes the home even more customizable. The way most inner structures are concentrated in the centre of the home, including the storage in the stairs, means that the view outside the home (whether it be Lia’s natural woodland landscape or someone else’s favourite secluded meadow or beach) is uninhibited from at least one side of the house, and both on the top floor. This integrates one’s surroundings into the interior experience despite the fact that the building is not actually one that physically blends interior and exterior environments.
Clear, strong architectural shapes were also used, making the house stand out from its surroundings despite being built from those very things. The stone coloured wooden facade and the way the building splits into two distinct looking but connected structures are the perfect examples of these goals being achieved with great beauty. In the first portion of the house, you’ll find the more functional aspects of a home and the areas where you’d typically do things together as a family or host guests. These include the kitchen, dining room, and living room.
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